(As critics have later pointed out, the movie also could be viewed as a thinly veiled allegory for the Nazis invading France while the director insisted it was not intended as such, the important thing is that the film managed to escape the censors.) ![]() While the production design was heavily influenced by Les très riches heures du Duc de Berry, a rather famous manuscript from the 1400s, the story itself was steeped deeply in fantasy, and Peyo watched it repeatedly. ![]() The envoys (semi-accidentally) start doing some good works, and the Devil needs to visit in person to fix things. ![]() It was in this environment we got Les visiteurs du soir (see picture above), a 1942 film by Marcel Carné, set in 1485, about two envoys sent to the mortal world to cause mischief and recruit for the Devil.
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